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Four Sketches For Pedal Piano Op. 58 Studies For Buy Today
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DISC: 1
| 1. No. 1 in C minor: Nicht Schnell Und Sehr Markiert [02:59] |
| 2. No. 2 in C Major: Nicht Schnell Und Sehr Markiert [03:33] |
| 3. No. 3 in F minor: Lebhaft [05:12] |
| 4. No. 4 in D-Flat Major: Allegretto [03:05] |
| 5. No. 1 in C Major: Nicht Zu Schnell [02:29] |
| 6. No. 2 in a Minor: Mit Innigem Ausdruck [04:17] |
| 7. No. 3 in E Major: Andantino – Etwas Schneller [01:57] |
| 8. No. 4 in A-Flat Major: Innig [04:07] |
| 9. No. 5 in B minor: Nicht Zu Schnell [02:30] |
| 10. No. 6 in B Major: Adagio [03:37] |
| 11. No. 1 in B-Flat Major: Langsam [05:17] |
| 12. No. 2 in B-Flat Major: Lebhaft [05:59] |
| 13. No. 3 in G minor: Mit Sanften Stimmen [03:08] |
| 14. No. 4 in B-Flat Major: Mäßig, Doch Nicht Zu Langsam [05:06] |
| 15. No. 5 in F Major: Lebhaft [02:34] |
| 16. No. 6 in B-Flat Major: Mäßig, Nach Und Nach Schneller [07:02] |
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Schumann’s studies into counterpoint during 1845 climaxed in what he described as a ‘Fugenpassion’, with the resulting character pieces becoming a significant cornerstone of the organ repertoire. They are performed here by Tom Winpenny, who has also written the booklet notes, on the historic and recently restored Furtwängler organ in Gronau, Germany.





