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Trusted Brand Alberto Ginastera: Orchestral Works
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Trusted Brand Alberto Ginastera: Orchestral Works

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SKU: SK0447453-US20260105-083122 Category: Tag:
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1. Obertura Para El Fausto Criollo, Op. 9
2. Variaciones Concertantes, Op. 23: I. Tema Per Violoncello Ed Arpa
3. Variaciones Concertantes, Op. 23: II. Interludio Per Corde
4. Variaciones Concertantes, Op. 23: III. Variazione Giocosa Per Flauto
5. Variaciones Concertantes, Op. 23: IV. Variazione In Modo Di Scherzo Per Clarinetto
6. Variaciones Concertantes, Op. 23: V. Variazione Drammatica Per Viola
7. Variaciones Concertantes, Op. 23: VI. Variazione Canonica Per Oboe E Fagotto
8. Variaciones Concertantes, Op. 23: VII. Variazione Ritmica Per Trombe E Trombone
9. Variaciones Concertantes, Op. 23: VIII. Variazione In Modo Di Moto Perpetuo Per Violino
10. Variaciones Concertantes, Op. 23: IX. Variazione Pastorale Per Corno
11. Variaciones Concertantes, Op. 23: X. Interludio Per Fiati
12. Variaciones Concertantes, Op. 23: XI. Ripresa Dal Tema Per Contrabasso
13. Variaciones Concertantes, Op. 23: XII. Variazione Finale In Modo Di Rondo Per Orchestra
14. Ollantay, Op. 17: I. Paisaje De Ollantaytambo
15. Ollantay, Op. 17: II. Los Guerreros
16. Ollantay, Op. 17: III. La Muerte De Ollantay
17. Bomarzo Suite, Op. 34a

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Alberto Ginastera is considered one of three 20th century composers that brought Argentina to the forefront of global attention, along with Carlos Gardel and Astor Piazzolla. Whereas Gardel and Piazzolla came out of the Argentine tango tradition, Alberto Ginastera is considered the most important Argentinean classical composer of the 20th century. Anchored by the engaged work of the Deutsche Staatsphilarmonie Rheinland conducted by Karl-Heinz Steffens, this release is a marelous retrospective of Ginastera’s development beginning with his ‘first period’ and the folklorically influenced Obertura para el Fausto Criollo, Op. 9 (1943) as well as the Symphonic Triptych Ollantay, Op. 17, inspired by his trip to the U.S. (1947).The Variaciones Concertantes for chamber orchestra, Op. 23 (1953) derive from the middle of Ginastera’s middle period. Finally, the premiere recording of the opera Bomarzo, Op. 34 (1966/67) represents the penultimate work of Ginastera’s third and final ‘New-expressionist’ period

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