Great Comedy Overtures Deal
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DISC: 1
| 1. Track 1 |
| 2. Ferdinand Hérold: Overture to Zampa |
| 3. Track 3 |
| 4. Otto Nicolai: Overture to The Merry Wives of Windsor |
| 5. Track 5 |
| 6. Ermanno Wolf-Ferrari: Overture to Il segreto di Susanna |
| 7. Track 7 |
| 8. Ambroise Thomas: Overture to Mignon |
| 9. Track 9 |
| 10. Emil Nikolaus von Rezniek: Overture to Donna Diana |
| 11. Track 11 |
| 12. Friedrich von Flotow: Overture to Martha |
| 13. Track 13 |
| 14. Daniel-François-Esprit Auber: Overture to Fra Diavolo |
| 15. Track 15 |
| 16. Albert Lortzing: Overture to Zar und Zimmermann |
| 17. Track 17 |
| 18. Domenico Cimarosa: Overture to Il matrimonio segreto 1 |
| 19. 1 |
| 20. Adolphe Adam: Overture to Si j’étais roi 1 |
| 21. 1 |
| 22. Peter Cornelius, arr. Felix Mottl: Overture to Der Barbier von Bagdad |
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– The flourishing genre of the comic opera had it’s roots in18th c. Italian opera buffa, whose irrepressible brio was soontaken up outside the country’s borders.- In France it produced opera comique and operetta, andin German-speaking countries Spieloper and Vienneseoperetta.- Some of the world’s most popular comic opera overtures,filled with gorgeous tunes, brilliant orchestration and raceto-the-finish endings, are presented here.- They include staples of the concert repertoire such asHerold’s dramatic Zampa, the textual delicacy of Wolf-Ferrari’s Il segreto di Susanna and the vivid color ofLortzing’s Zar und Zimmermann.- The American Conductor, Boston University graduate andmulti-first prize competition winner Lance Friedel, hereconducting the RNSO, currently enjoys an active career inEurope and the US.





